Sleep five hours at the Three Ducks. Pay the man, nearly walk out the door with my key. Catch the Metro from Commerce, change trains at Concorde, direction: Palais Royale-Musée du Louvre. Get off, surface, requisition terrible oranges and a less-than-delicious pastry from a side-street baker. Eat them on a park bench, watching the sun rise over the most famous art museum in the world. Finish “breakfast”, approach the glass pyramid to buy a ticket.
Who the hell is closed on a Tuesday?
Well, that certainly explains the rather suspicious lack of a crowd, now doesn’t it. I’m so incredibly grateful for the 2kg book on the Louvre that I’ve been lugging around since borrowing it from Elizabeth in Caen.
So, given that it’s currently 9AM, what do to with the rest of my day? As I recall, my solution involved wandering around Paris (such a tough life I lead, I know) for 90 minutes or so, then finally catching the Metro back to the Champs Elysées-Clemenceau station and the Grand Palais located there. The Grand Palais was something that Ann and I had attempted to get into on Monday, but were thwarted by the long line. We didn’t know what was going on in there, but with a line like that, we assumed, it had to be good. On this Tuesday morning, however, the ticket queue looked just as long as it had the previous day, so I headed back toward the Musée d’Orsay to see if it were, by some miracle, open on Tuesdays.
Quelle bonne chance! Not only was the Orsay open and operating, there was a long line for me to stand in. While waiting, the girl behind me taps me on the shoulder and asks if I’m from North Carolina. She’s from Knoxville and had noticed the Cape Hatteras patch on my backpack. We chat a bit as the line progresses toward the door, parting ways to pass through the security checkpoints.
I proceed to spend the next five hours taking in the Orsay. It’s like they have the entire Impressionism movement in there.
One part of the Orsay that I’m perhaps most grateful for — if that’s the right word — is their gift shop. I’d been stressing this whole time in Paris over a gift for Charlotte, something that says, “I’m so sorry I went to France for a week and left you in Germersheim, please don’t kill me”. I had wanted to buy her some fabulous French coffee, but at the few places I found that actually sold beans, they wouldn’t mill it for me. In the Orsay, I finally hit on something that satisfied me: Charlotte used to be a ballet dancer, and with that combined with the tragically bare walls of our dorm rooms, prints from Degas’ ballet series seemed like just the thing (I had seen the originals earlier in the day).
So: it’s around 3PM by this point, and my flight leaves at 6. Rather than spend three hours at Charles de Gaulle Terminal #3, I opt to go wander around Montmartre some more. After walking up and down the Butte and then meandering through the backside of the district for a while, I head back into the Metro, airport-bound.
At least, that’s what I thought.
I’m back at Gare du Nord, my old nemesis from Thursday. After some confusion — though less than the first time — I make my way down to the proper place and settle in to wait for the next train north. And I wait. Still waiting. Yep, still here. I should mention that I’m not alone: there’s quite a crowd cooling their heels on this same platform. Several trains come up from the south and disgorge their passengers, all of their passengers; we’re forbidden to enter the cars, and once fully empty, the trains head off on their way north.
Time check: 4:30PM.
After waiting a total of 25 minutes or so, a loudspeaker crackles on and informs us that, Oh, we’ve cancelled all the direct routes to Charles de Gaulle; all you poor dumb saps waiting over on Voie 43, you’ll need to head over to platform 32 and catch one of the slow trains to the airport.
The difference between these trains is this: the direct route stops only three times between Gare du Nord and Charles de Gaulle, taking about 15 minutes to do the entire run. The other trains stop at every single station along the way, meaning that that same distance requires at least 45 minutes to cover.
For the next three-quarters of an hour, I’m certain the stress I’m feeling is palpable. Check-in for my flight closes at 5:30, and barring supernatural intervention, I’ll have only a razor-thin margin of error to make my flight back to Basel. Assuming, of course, that there are no complications of any kind with the Metro, and that I’ll be able to make my way from the Metro station to the terminal with no hesitation whatsoever.
Needless to say, that doesn’t happen. I arrive at the counter to see that they’ve just closed check-in for my flight, and policy being policy, I’ll just have to see about booking a seat on the next plane. A few minutes, some testy French and a swipe of my credit card later, I own a ticket back to Switzerland. Time of departure: 8:30AM, the next morning.
I’m faced with a dilemma: my three-day Metro pass expires in six hours, meaning that if I venture back into the city, I’ll have to buy another pass. Also, I’m not quite sure where I’d stay, and moreover, I’m terrified of possibly oversleeping and missing yet another flight. I resolve to simply spend the night in the airport; call it a character-building experience.
I settle in.
At some point, desperate for something to do, I decide to set off in pursuit of the elusive Terminal #1, which I’ve heard about and seen signs for, but so far had no idea where it was. I won’t bore you by recounting the following two hours spent trying to walk to this building. I will say this, though: if you’ve ever seen the video for U2’s “Beautiful Day”, remember the part where Bono is walking on a strange-looking road with the plane taxiing above him? That was shot at Charles de Gaulle, and I’ve walked that road. Having a 777 taxiing 10m above your head is a singular experience.
Note for the curious: as I later found out, the way you get from Terminal #3 to Terminal #1 (or whatever the big one is; I’ve just assumed that it’s Terminal #1) is by bus. There are no signs for this at Terminal #3, unless you interpret the abrupt disappearance of “this way to Terminal #1″ markers as an indication that you should secure motorised transport.
Returned to the relative warmth of Terminal #3, I and a dozen or so others tried our bests to catch some shut-eye despite the artificial sun-strength florescent lighting. The only time they dimmed was around 3AM when some guys came through and changed some of the bulbs, a task they did as noisy as they possibly could; I mean, really, did you have to drag the ladder across the floor? Could you not just have carried it for that 30 meters?
Outside of that, the rest of the night was fairly calm, if mostly sleepless. I managed to sleep in only 30 minute increments, due in equal parts to the bench I was sleeping on and the fact that I was nearly to the point of having nightmares about Charlotte’s Degas prints becoming wrinkled.
So it goes, the night passed. I got on a plane, then a bus, then a train back to Germany. In Karlsruhe, I took the wrong train heading north and so got to see what hell-hole rural Deutschland looks like. Eventually, I made it back to home base, a day later and €106.25 poorer than anticipated.
I met up with Charlotte that afternoon, after tending to some serious shower-and-shave needs. It turned out that she’d taken the wrong train north from Karlsruhe that afternoon, too, but, from her description, her slice of rural Germany totally out-hell-holed mine. I presented her with the things I’d brought back from France: three Degas prints (all mercifully unwrinkled) for her, two bottles of wine from Galleries Lafayette for us, and myself, ridden with a flu I picked up in Caen. She was very happy to have at least two of those things.